Thanksgiving messages from Mothers’ Bridge of Love volunteers

Since this July, I’ve been volunteering at the London-based Mothers’ Bridge of Love (MBL), leading its website team. Our team is growing fast, and now we have more than 15 members from Europe, the U.S., and China. It’s wonderful to work with so many talented and passionate people to make a difference. 🙂

This belated post is from Thanksgiving, with messages from some volunteers in our team. Though Thanksgiving is an American holiday, I feel that it’s always important to remind ourselves to care for each other and be grateful for what we have.

Thank you, my dear MBL friends!

Julie: 

I’ve been with MBL for 13 years. It’s precious when we work together and support each other. I will keep all the beautiful memory in my heart forever. I’m so proud to be one of the volunteers for MBL and I’m grateful to everyone I’ve met in my life. I feel happy because knowing YOU is the most beautiful thing! Many thanks to you for supporting MBL charity. Happy Thanksgiving!

Fan:

Happy Thanksgiving! This is my first year to be an official MBLer. It feels wonderful to be in such a warm family where sharing and helping each other are deeply valued. I’m moved by the many stories about adoptive families and adopted children, and every project MBL has done for underprivileged children in China inspires me. Thank you, MBL, and thank you, our hardworking and talented volunteers all over the world! Thank you, all the friends and supporters of MBL. Thinking of you makes me smile.

Patrick:

Some friendships become more beautiful over time. Thank you for the color you add to my life! I wish you a heartfelt Thanksgiving.

Ding Ding: 

I am blessed to be part of MBL. MBL teaches me to bridge gaps and connect hearts. It seems difficult, but is worth an effort and certainly achievable for anyone who holds such a wish. Wish MBLers around the world can bridge more gaps and unite more hearts and souls. Love you all!

Chloe:

Thanks for those people who inspire me and challenge me to grow. We met in our life for a reason, which is that we all learn from each other.

Jieqiong:

A lot of things happened to me this year, some are good some are bad. I am so blessed that every time when I am happy or sad, I have the MBL family to share with. This warm family teaches me love and how to embrace frustrations with hope and peace. Thank you MBL family~! I love you all~!

Thibault:

在川普上任之后,我们都必需努力争取我们的权利、未来和自由,因为这个世界将到处充斥着模糊的仇恨和暴力

Ying:

Thanks to the MBL – the big family, who has brought us together for a good cause, through which I have met many wonderful people and spent my time meaningfully. Here is to a harvest of blessing to the MBL, you are the epitome of loving people and for that we are eternally grateful. Have a wonderful Thanksgiving!

A big thank you to MBL’s volunteer Gloria in China, who recently joined MBL, for the beautiful poster. If you want to read more about MBL, please visit www.mothersbridge.org 

 

Old Cultural Revolution Posters And The Stories Behind Them

Jules Nadeau, a freelance writer living in Montreal, shared with me several posters of the Cultural Revolution from his collection. I didn’t grow up with these posters, but have seen them many times in news, books and movies where the Cultural Revolution was concerned.

I asked Jules if if he could write something about these posters, and was extremely grateful that he said yes. Here are his words.


By Jules Nadeau

I spent a fabulous time in the PRC in 1979 as a consultant for a film crew. We were shooting an in-depth three hours documentary on the railroad network and this was the year I acquired my collection of political posters. In retrospect, I find the most interesting artifact is the one showing Chairman Mao Zedong saying in a paternalistic way to his protégé Hua Guofeng: “With you in charge, I’m at ease.” Other drawings eulogize the Canadian doctor Norman Bethune and the Communist Party.

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Mao Zedong and Hua Guofeng

However Hua Guofeng (1921-2008), the “designated successor”, was himself about to be excommunicated by the paramount leader Deng Xiaoping and that iconic poster was about to be withdrawn from all Xinhua State stores. A Wuhan university student purchased the whole set in 1978 and offered it to me as a token of friendship. It’s only now that I revel in the possession of these red archives.

The National Film Board

The affiches were obtained in Wuhan because this is where our Montreal crew of five was based for an unforgettable six weeks in the antiquated Shengli (Victory) hotel, sort of five-star establishment of the late 70’s. So we spent a lot of time in the European style train station of Hukou. We interviewed numerous employees during their working hours and their leisure time at home. We were also interested in young and old passengers boarding the socialist green wagons. George Dufaux, a reputed film director at the National Film Board of Canada (NFB), saw these travelers as genuine representives of the one billion inhabitants of the vast land. Just weeks before the “one couple one child” policy was introduced.

We were only three years away from the passing over of the Great Helmsman and the official invalidation of the Cultural Revolution (1966-76). Party cadres were still trying to outsmart the visiting medias. They were thus trying to show us the best side of the socialist Motherland. But Georges Dufaux was clever enough to concentrate on railroad people because that gave us the opportunity to interview all kinds of hiking people, in other words common folks who were not selected, “briefed” in advance or instructed to make politically correct declarations.

Surprise, spontaneity and frankness was our hush-hush motto. I acted as consultant for this purpose: discern the genuine speech from the Orwellian “doublespeak”. It was my fourth foray across the bamboo curtain in four years. (With the provison that we did not want to be ideologically attacked as the Italian director Michelagelo Antonioni was vilified following his 1972 film Chung Kuo (Zhongguo.)

No matter what the NFB was well considered by the Chinese authorities partly because of the fame of Norman Bethune. I often underlined to our hosts that the revolutionary doctor practiced for a few years in Montréal before leaving for China. “The father of my former magazine editor in Montréal was a patient of Bethune. In 1975 while visiting Shijiazhuang hospital I shook hand with a venerable veteran who had personally known Bethune”, I repeated. Such statements from the “foreign expert” were music to the ears of our railway blue collars. Ottawa established diplomatic relations with Beijing long time before Washington did.

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Cultural Revolution Poster

The Junior Brother of Deng Xiaoping

Personalities? I saluted the brother of Deng Xiaoping. How come? I knew that Deng Ken was the deputy governor of Hubei. The evening of the National day, October 1st, we saw several high cadres parading through the lobby of Victory hotel. One of them bore a striking ressemblance with Deng Xiaoping. “Is this the younger brother of…”, I asked one of the staff. Following the positive answer from a shy waitress, I went straight to him and offered him a blue fleur de lys pin Made in Québec. Deng Ken seemed surprised for a few seconds but he smiled and gave me a polite xiexie nin! Thank you! (My teamates did not believe me when I reported the coup d’éclat!

In 1979 there was a huge Railway Ministry in the PRC with some 2,400,00 staff. Workers plus all their relatives. The “iron rice bowl” for all. In Beijing, I was granted an exclusive interview with Minister Guo Weicheng (a former PLA General of Manchu origin). Quite an honor! In Wuhan, in an effort to get closer to the local cadres, genial Georges Dufaux had a wonderful idea. Instead of offering maple syrup or traditional handicraft to our hosts, he imagined to carry over a miniature locomotive with colorful wagons. The kind of toy that would drive any kid crazy. Needless to say, the responsible leaders were amazed to see the mini-train circle and circle around in the dining room. More clinking glasses! Touché!

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Cultural Revolution Poster

Our Online Documentary 

Thanks to Bethune, the interview at the top and the magic electric train, people-to-people rapports were warming up. A senior comrade we learned to trust, the guy who like to chit chat with laowai (foreigners), went as far as inviting our Gang of Five to his home for dinner. “This is unique!” I told my NFB friends. Mr. Zhang and his gentle wife (a physician) prepared some delicious dumplings (jiaozi) in gargantuan quantities. Georges Dufaux, Serge Lafortune, Richard Besse and the interpreter Elizabeth Lowe (Canadian student in Beijing) really savored the meal. That was gold to us: an informal visit in a private home. Unrehearsed and impromptu!

Shopping for dictionaries and art books was a lot of fun. We went for haircuts just for smelling the atmosphere of a post-cultural revolution barber shop. I also guided the crew to the Liberation photography studio. This is where we had our corporate pix taken. In my case, with a proletariat cap and a working class vest, I tried to look like a bona fide member of the popular masses. When I look at this shot nowadays, I think I almost succeeded. Except for my high nose and the thick moustache that betray me… No  Chineseness at that level!

Dufaux was not able to edit the film down to less than three hours. The personal testimonies about the day to day life in China and the canonical statements coexist side by side. “We will show the viewers what the authorities want them to see. Let the spectators judge by themselves” confided the experienced director to me. The three-part documentary called Guidao: On the Way can now be seen online on the web site of the National Film Board. The vintage posters can also be admired on this blog. Quite a different planet… almost 40 years ago! Wuhan now has a grandiose train station. The Victory hotel is a mere paper souvenir. People are also different. And trains move much faster between Wuhan, the ground zero of the Wuchang Uprising of October 10th 1911 Revolution and the post-1949 capital city of Beijing.

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The long-time barefoot Sinophile Jules Nadeau is a freelance writer living in Montreal who spent 10 years in Greater China. He is the author of 20 Million Chinese Made in Taiwan and also 1997: In the Mouth of the Red Dragon. In 1979, Jules Nadeau was a full-time journalist at La Presse, a French language daily in the province of Québec. 

Bridge School Benefit Concert & Cui Jian

Work, work, work…kids, kids, kids…finally my husband and I got to go out a bit with close friends to watch the Bridge School Benefit Concert last Sunday. (Thanks to our fantastic babysitter who was my daughter’s preschool teacher.) This is an all-acoustic, non-profit charity held every October Shoreline Amphitheater in Mountain View. The lineup list was impressive: Neil Young, Metallica, Dave Matthews and Tim Reynolds, Willie Nelson, Norah Jones, Cage the Elephant, Nils Lofgren, and Roger Waters.

The place was packed, both expected and exciting as all the money would go to the charity. We arrived late and missed Neil Young. Cage the Elephant was new to me and I liked their songs and energy. Willie Nelson’s “On the Road Again” was always great to hum along, which I first heard when I was at college in China.

Norah Jones, though I like her, seemed a bit boring for this occasion. The location and the crowd with their beer, cigarettes and who-knows-what just weren’t right for her music.

Bridge Stone School Concert
Bridge Stone School Concert

 

 

 

 

 

 

 

Dave Matthews was wonderful but also predicable. When I first watched his show, I had been in the U.S. for fewer than 3 years, was working at Yahoo!. At that time, the company was the Wall Street’s darling and we, as employees, enjoyed perks, fancy parties and a lot of good food. One of the perks was free tickets to cool events. That was how one day I got to see Dave Matthews from the first row. Honestly, I didn’t know who he was and had to ask my American coworker, who seemed appalled by my ignorance.

As I was watching the show, I thought of Cui Jian, the father of Chinese rock. When I first listened to his music, I was not yet in college, and I was dreaming big and wild. With his guitar and hoarse voice, Cui Jian conquered me and my friends, physically and psychologically, making us stomp on the chairs and cry. He made us realize for the first time that we, the Chinese, could be freed from the burdens that our tumultuous history had inflicted on us. At the top of our lungs, with feigned melancholy, my friends and I sang “Nothing to My Name,” “A Piece of Red Cloth” and “Greenhouse girl.” We thought how true it was that the Party blinded us by covering our eyes with a piece of red cloth, pelting us with propaganda and forced political learning.

I still listen to Cui Jian from time to time, and am still moved by many of his songs, mostly old ones.

At the Sunday concert, when Willie Nelson was singing, four old men in front of me stood up and, with their hands on each other’s shoulders, they sang along and danced along, completely mesmerized. I watched them, and I, too, was happy, because of them, because of my memory.